This study is about Foucault's conceptual and methodological relevance for structural analysis of Korean traditional space design history. By Foucault's Theory, regionalism is product of the instrumentality of space, power, knowledge and provide the b ...
This study is about Foucault's conceptual and methodological relevance for structural analysis of Korean traditional space design history. By Foucault's Theory, regionalism is product of the instrumentality of space, power, knowledge and provide the basis for making the operation of power both spatial and temporal.
The purpose of this study is to establish topographical map of historical progress and to shed new light on the forming of identity in Korean traditional space design on the poststructural-archaeological aspect. And how logic of Genealogy has meaning as a strategy in the Korean traditional spacial form design. This study present traditional space design method to apply power derived from history and knowledge to space focusing on relative investigation between philosophical thought and practice.
The process of the 1st year study is illustrated as follows: At first, it suggests Foucault's 'Theory of archaeology'. It mentions 'historical apriori' and archive, collateral space and general grammar as theoretical background of archaeological logic. Secondly, it clarifies 'statements' depending on the conditions that is 'episteme' in which they emerge and exist within a field of discourse. And it discuss Korean traditional space design concept as a social product on the situated character of interaction in time-space. Finally, it studies genetic variation process of Korean traditional space design based on the social progress in Korean society. And it analyses practical actions of 'Statements' in terms of general grammar and textuality.
The process of the 2nd year study is illustrated as follows : At first, it suggests the theory of Genealogy in relation between history and knowledge, i.e. Genealogical logic, systematization, statement placement, the field of Pragmatics which is a relative model among world knowledge, knowledge of the context, and the sender. Secondly, it clarifies the genealogy and systematization of Bangju church from a point of view of continuity in the three coordinate, subject, time and space as a case study. Finally, it analyses Bangju church on the time-space juxtaposition, faciality and associability, deterritorialization and reterritorialization in the standpoint of the creativity. And, it systematizes design process of the territorialization as a statement categorized into three axis, regionality by subject axis, Korean traditionality by time axis and religious historicity of architecture by space axis with genealogical viewpoint from aspect of the qualitative plurality.