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논문 상세정보
"A woman is a foreign land": Empire and Domestic Ideology in "The Angel in the House"
한국연구재단 인문사회연구지원사업을 통해 연구비를 지원받은 연구자는 연구기간 종료 후 2년 이내에 최종연구결과물로 학술논문 또는 저역서를 해당 사업 신청요강에서 요구하는 수량 이상 제출하여야 합니다.(*사업유형에 따라 최종연구결과물 제출 조건이 다를 수 있음.)
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연구자가 한국연구재단 연구지원시스템에 직접 입력한 정보입니다.
저널명 |
영어영문학 - 등재 - A
(ISSN : 1016-2283)
외부링크
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발행정보 |
2007년 12월 01일
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Vol.53
No.5
/ pp. 913 ~ 934
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발행처/학회 |
한국영어영문학회 |
주저자 |
박형지
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저자수 |
1 |
초록
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국문
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Coventry Patmore’s The Angel in the House, first published in 1854, is viewed as the founding text of a stereotypical Victorian domestic ideology. Upon closer examination, however, the poem betrays a certain brutality, with its brand of English womanh ...
Coventry Patmore’s The Angel in the House, first published in 1854, is viewed as the founding text of a stereotypical Victorian domestic ideology. Upon closer examination, however, the poem betrays a certain brutality, with its brand of English womanhood posited against a barbaric, pre-civilized past and the rude Other of Empire. Patmore’s logic in defending against the threat of reversion to primitivism is Petrarchism, in which the Englishwoman is placed upon a glorified pedestal. Throughout, the Englishwoman is painted with the heightened sensation of Orientalism—she is not merely unknowable, she is as unknowable as a foreign land; she is not just a queen, she is the head of an imperial universe; she is not merely a jewel, she is the Koh-i-noor, the supreme diamond of them all. An Orientalism grounded in the Victorian politics of Empire—that Englishwoman is the core of an Empire that needs to be defended, as well as the (contradictory) feminization of the colonized (versus the male metropole)—drives this poem. In this essay I note the domestic poem’s unexpected dependence upon, and deployment of, a rhetoric of Empire and imperial conquest, in defining a Victorian cult of domesticity
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