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『나비부인』에서 “나의 미국인 아내!” 까지: 아시아계 미국적 가정성의 재맥락화
Reports NRF is supported by Research Projects( 『나비부인』에서 “나의 미국인 아내!” 까지: 아시아계 미국적 가정성의 재맥락화 | 2007 Year 신청요강 다운로드 PDF다운로드 | 오승아(연세대학교) ) data is submitted to the NRF Project Results
Researcher who has been awarded a research grant by Humanities and Social Studies Support Program of NRF has to submit an end product within 6 months(* depend on the form of business)
  • Researchers have entered the information directly to the NRF of Korea research support system
Project Number A00149
Year(selected) 2007 Year
the present condition of Project 종료
State of proposition 재단승인
Completion Date 2008년 12월 26일
Year type 결과보고
Year(final report) 2008년
Research Summary
  • Korean
  • 최초의 아시아계 여성작가로 일컬어지는 이튼 자매의 지난 세기말 문학작품으로부터 기쉬 젠의 2004년 소설 더 러브 와이프에 이르기까지, 본 연구는 아시아계 미국 여성문학 속에서 미국적 가정성이라는 개념과 그 상징성이 작동하는 방식을 고찰한다. 여성성과 국가정체성을 아우르는 가정성의 논의를 통해 아시아계 미국 여성 문학을 미국 문화사 및 문학사 안에 위치시키는 작업 속에서, 통칭 아시아적 여성성과 미국 백인 중산층 여성성 사이에서 도출되는 긴장과 갈등을 통해 아시아계 미국 여성의 정체성이 구축되는 과정에 주목하는 연구이기도 하다. 아시아계 미국적 여성성이라는 개념을 둘러싸고 이루어지는 여성적 연대 및 여성간의 갈등에 구체적으로 초점을 맞추며, 아시아계 미국 여성들의 다양한 목소리의 내부와 배후에서 끊임없이 충돌하고 또 변경되는 아시아계 미국적 가정/국가 및 가정성의 의미를 탐구한다.
  • English
  • From the Eaton sisters’ literary works at the previous turn of the century to Gish Jen’s 2004 novel The Love Wife, this book explores the ways in which the trope of American domesticity is experimented, resisted, and re-invented in Asian American women’s literature. The narrative of domesticity is, of course, a narrative of womanhood, but at the same time, it is also a narrative of nationhood. In order to contextualize Asian American women’s writing within the terrain of American cultural and literary history, this book considers how the trope of domesticity is deployed in constructing Asian American women’s subjectivity, especially through the tension and dynamic between Asian and white American womanhood. The book’s focus is specifically placed upon the female homosocial bond and conflict around the notion of Asian American domesticity, both as a gendered and a national site with the conflicting desires within and behind Asian American women’s voices, endlessly shifting the notion of Asian American home and domesticity.
Research result report
  • Abstract
  • From the Eaton sisters’ literary works at the previous turn of the century to Gish Jen’s 2004 novel The Love Wife, this book explores the ways in which the trope of American domesticity is experimented, resisted, and re-invented in Asian American women’s literature. The narrative of domesticity is, of course, a narrative of womanhood, but at the same time, it is also a narrative of nationhood. In order to contextualize Asian American women’s writing within the terrain of American cultural and literary history, this book considers how the trope of domesticity is deployed in constructing Asian American women’s subjectivity, especially through the tension and dynamic between Asian and white American womanhood. The book’s focus is specifically placed upon the female homosocial bond and conflict around the notion of Asian American domesticity, both as a gendered and a national site with the conflicting desires within and behind Asian American women’s voices, endlessly shifting the notion of Asian American home and domesticity.
  • Research result and Utilization method
  • 이상의 연구결과는 2008년 6월 미국의 Lexington Books에서 Recontextualizing Asian American Domesticity: From Madame Butterfly to My American Wife!라는 제명으로 출판되었습니다.
  • Index terms
  • Asian american literature, American literature, Asian American women writers, American domesticity, Asian american domesticity,
  • List of digital content of this reports
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