과제개요 및 목차는 학술논문을 따름.

과제개요 및 목차는 학술논문을 따름.

이 논문은 서양의 경우 중세 말기를, 우리나라 경우 고려를 역사적 시기로 잡아, 9-13세기라는 동일한 시기에 이태리와 프랑스를 중심으로 한 중세 무용과 우리나라 의식무용을 연희무용의 측면에서 양식적으로 비교 연구함으로서 이들이 어떤 유사성을 지니고 있으며, 이 ...

이 논문은 서양의 경우 중세 말기를, 우리나라 경우 고려를 역사적 시기로 잡아, 9-13세기라는 동일한 시기에 이태리와 프랑스를 중심으로 한 중세 무용과 우리나라 의식무용을 연희무용의 측면에서 양식적으로 비교 연구함으로서 이들이 어떤 유사성을 지니고 있으며, 이들 유사성과 상이성이 각각의 무용사를 연구하는데 있어서 어떠한 의미를 던져줄 수 있는지 살펴봄을 목적으로 한다.
연구방법은 문헌연구방법론을 채택하였다. 연구의 방향으로는 실증적인 자료를 가증한 널리 확보하여 구체적인 근거를 바탕으로 두 문화권의 시대적. 예술양식적 배경을 밝히며, 각각의 궁정연희 양식 및 두 문화권의 대표적인 의식무용 분석을 통해 구조와 움직임, 사상, 예술의 측면에서 각 양식의 특성을 발견함으로써 지금까지의 무용사연구에 관한 논의를 확충하고 보완한다는 데에 논의 전개의 중심을 두었다.
이 논의는 첫째, 각 시대의 역사적 특성과 양식을 비교분석하여 이를 기초로 문화적으로나 역사적으로 판이한 구조속의 두 무용양식을 횡적으로 비교연구했다는 점, 둘째, 연희양식으로서 무용의 발생기에 지녔던 춤의 기능을 현대사회에 있어서의 춤의 역할을 재고해 봄으로써 우리 전통 무용예술의 이론을 만들어 낼 수 있다는 점에서 의의가 있다고 생각된다.

This study compares the ritual of dances performed in formal occasions in two different cultures yet in the same period, in Goryeo Dynasty and in the middle ages of Europe (mainly in Italy and France, during 9-13 centuries). The differences and simila ...

This study compares the ritual of dances performed in formal occasions in two different cultures yet in the same period, in Goryeo Dynasty and in the middle ages of Europe (mainly in Italy and France, during 9-13 centuries). The differences and similarities in ritual dances performed in two different cultures are compared to see the implications for dance history research.
In the Western history, the dances in the middle ages had given religious influences. Those performed in Italy and France during the late of the middle ages that the arts movement initiated and was the transferring time to the Renaissance were the fetus of the royal party dances in the Renaissance and ballet later time. In Korea, the early of the Goryeo Dynasty was the turbulent time to move from United Silla Dynasty to the new country and many formal dances were performed for religious purposes of Buddhism. This time is seen as an important period for research as the structure as a ritual dance performance was set up and a form of composite art performance was established.
Therefore it is crucial to see the common features in the dances shared by the two different cultures in terms of their social political functions and artistic meanings. It will be supported by investigating the historical backgrounds of developing these dances and their contents, movements, and religious philosophy.
Furthermore the facts that these dances were reestablished as the ritual dance to be performed and that the certain styles of the dance became visible are discussed based on their historical factors. Although there are differences in the cultural backgrounds and contents of the occasions where the dances were performed, the fact that there are also similarities in the roles of the dances may implicate other countries’ cases for emerging ritual dance and its roles in the society.
The study uses the literature analysis method. The researcher reviewed empirical data and concrete evidence as much as possible. In the light of the social and artistic backgrounds of the two cultures revealed by the previous literature, the styles of royal parties and of representative dance performances of these cultures are analyzed in order to investigate the frames of the dances such as structures and movements and the contents of them including their religious philosophy, social political functions, and contributions to the composite arts. This information will be valuable to improve the research on dance history.
There are few studies that compared the ritual dance in the middle ages (9-13C) of Europe and one in Goryeo. There are some studies on each of them but neither much on comparing between both nor focusing on the historical and cultural backgrounds.
Therefore this study is initiated with the intention to solve these problems from previous studies. The study, firstly, looks at the social and artistic backgrounds of the two cultures as the time was a full of potential before the Renaissance in the 9-13 centuries. Next, it is discussed that one became a fetus of the ritual dance and the other advanced into more systemic and composite arts. Thirdly, the similarities in the social roles of those dances in terms of the occasions where the dances were performed are discussed. Their characters in the structures, movements, religious, social political and artistic features are horizontally analyzed. The Western dance here refers to those performed in Italy and France that were the main of Europe and where the Renaissance was initiated. This study goes beyond comparing the two dances in Goryeo and Europe (Italy and France, mainly) and exams the relationship between the formation of the dances and their social political backgrounds in terms of ‘comparing two different culture dances performed during the same period’.
The study is meaningful as the historical features and styles are explored for the basis of the horizontal comparison of dances between two different cultures. This study also contributes to lightening the meaning of dance in the current society by providing with the opportunities to reconsider the role of dance which can be sought even in the time when performing arts were suppressed.

Ⅰ. 머리말
Ⅱ. 9-13세기 이태리ㆍ프랑스와 고려 의식무용 연희양식
Ⅲ. 두 문화권 의식무용 양식의 특성 비교
Ⅳ. 맺음말
참고문헌
Abstract

Ⅰ. 머리말
Ⅱ. 9-13세기 이태리ㆍ프랑스와 고려 의식무용 연희양식
Ⅲ. 두 문화권 의식무용 양식의 특성 비교
Ⅳ. 맺음말
참고문헌
Abstract