The frame, in the theory of frame semantics, refers to the 'experiential knowledge frame' required to grasp the meaning of a word, which is expressed as a combination of lexical elements that form a frame. The FrameNet project(https://framenet.icsi.be ...
The frame, in the theory of frame semantics, refers to the 'experiential knowledge frame' required to grasp the meaning of a word, which is expressed as a combination of lexical elements that form a frame. The FrameNet project(https://framenet.icsi.berkeley.edu), based on the framework of frame semantics, began around the University of Berkeley in the United States and is now expanding to multiple languages such as Japanese and Chinese.
However, what the FrameNet project is using as basic analysis data is the corpus of American and British English, which has not deviated much from the framework structure of English culture in frame construction. Although various cultural variables in different cultures must be considered from the perspective of empirical semantics based on vast encyclopedic knowledge, it is not far beyond the limitations of a single frame due to the limitations of the English-based traditional linguistic approach.
Accordingly, Lee Jun-seo (2013) attempted to supplement the limitations of the single frame of the existing English-based aesthetic theory by introducing the concept of 'CIF' in that it includes not only Lexical Elements but also Cultural Elements that reflect the cultural specificity of each language.
In order to exclude the builder's subjectivity as much as possible in selecting cultural elements (CE) in the previous study, the research team proposed a 'statistical cultural element (CE) selection process' through a survey by a native information group. However, despite these safeguards to exclude subjectivity, problems such as the builder's room for subjective judgment intervention in the final selection process and the limitations of minority information groups have been constantly raised.
To solve this problem, this study aims to implement a CIF and a CIFN with sufficient objectivity by excluding the possibility of subjectivity intervention of builders through the establishment of CEMS and data-based culture-mining techniques based on large-capacity corporations.
Specifically, in the first year of the study, the Korea, China, and Japan cultural element extraction system was completed by supplementing the CEMS obtained in the previous performance study. In addition, specific cultural image frames (CIFs) were sequentially produced based on the cultural elements (CE) of each language extracted through the Korea, China, and Japan cultural element extraction system and the 'non-verbal image database' built through prior convergence research. Through this, it is possible to visually confirm the continuity between language and culture as the unique cultural factors (CE) of Korea, China, and Japan are contrasted.
In the second year of the study, the production of the Cultural Image Frame (CIF) was carried out in earnest at the same time as the supplementary work of the interface for stabilization and general disclosure of the CEMS. In addition, the air information of the cultural element extraction system (CEMS) is a value obtained using an existing specific corpus, so it is difficult to find dynamic changes in language. Accordingly, in the second year of the study, a system was developed to establish a search word database related to Korea, China, and Japan to supplement the cultural image frame network (CIFN).
In the third year, an open education infrastructure based on cloud computing was built by integrating the cultural image frame (CIF), cultural image frame network (CIFN), and related search word databases of individual languages built in the first and second years. Although it is only a prototype, it is possible to examine the specific meaning of the word, its association with the word in the entire vocabulary structure, and the differences and commonalities of cultural behavior that are differently implemented in different cultures-mining techniques established in the 3rd year study.